About

I always planned on being an artist but accidentally turned into an archaeologist. Invited to pack my bags and model internationally as a teen, travel ignited an anthropological interest in global cultures and curious human behavior (umm, the fashion industry). Unable to afford art school, I moved back to my hometown in Marin County, CA, attended community college, and fell under an archaeological spell.

Surprised by my own deep dive into intellectual, non-visual pursuits, I became obsessed with ancient cave paintings and theories concerning the origins of art. I graduated from UC Berkley and later the University of British Columbia with a M.A. in Archaeology. I’ve excavated numerous sites overseas, illustrated artifacts, ran field crews on random pipeline projects, and have had the privilege of serving numerous indigenous communities. I also wrote a couple of books, got into museum exhibit design for over a decade, birthed three gorgeous boys, and became a pathological, award-winning knitter.

All to say, a lot of life got in the way of that be-an-artist plan. But like the archaeologist who knows exactly what she’s digging for now, I’m dusting off the original dream and getting back to what I love best: painting.

Process

I love powdery light, metallic glare, and long shadows. Boxy shapes and lost edges. I paint everyday scenes that combine human-made elements—roads, buildings, signs—adjacent to wild beauty. My muse is Marin County in particular, and California more broadly.

My approach is largely self-taught and I try to keep things instinctive. I aim for loose, expressive brushstrokes, always hoping to catch the light. I like when a painting feels alive. Energy zinging on canvas, a singular sense of time and place caught within a square.

Plein air is my great love—the hardest sport!—and I try to bring that sensibility into the studio too. Most of my work ranges in size between 8 x 10 inches and 11 x 14 inches with some works increasingly as large as 3 x 4 feet.